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That sentence he said, reminded me of Jacob Biton’s poetry who wrote about himself and his brother Dogan facing their grandma’s death, the big mother.In his meticulous photograph there is something primary, physical like a bone cracking out of skin. » Yaara Shehori The photographs & text were originally published in "The Hottest Place In Hell" magazine, May 7th, 2015 Victorian ornithologists and botanists would have heartily commended Susan Hipgrave’s remarkable series of hand-painted plates.
Susan’s ability to focus is well matched by her possession of a steady hand.Then, in 2005, ‘sick with shingles, I walked into a shop that was running ceramic painting classes and it was immediately obvious that it was something I had to do’. Having worked with human hair in the past and now with donated pigeon, natural, undyed feathers, Kate Mcc Gwire creates visually striking art.While she has worked with earthenware as well as porcelain, her medium has always been the plate. The Royal College of Art MA graduate is based on a boat floating on the Thames, which helps her stay connected to nature.Someone could not woke someone up from its fainting, from its death; that’s almost indecent and yet I believe him; I believe this quest for beauty in all places that supposed to be covered with dirt.“This is me and my brother”, he said to me simply when describing the relationship between the young man and the bird; two non-identical twins who rolled out to the farthest edges: man and bird, live and dead; and suddenly the layers I’ve counted faded into dust.‘When I’m contemplating a new piece, I start by going through my collection of natural history books until I find something that “speaks” to me.
I work with it in terms of size and placement, and then begins the slow and meditative practice of putting paint to porcelain.
Creates some kind of life and death erotica, horrible and beautiful.
Erotica of exploitation, defiance and embarrassment, and sadness.
Transmutation was the word that came to mind the first time I saw milliner Sahar Freemantle's Magpie inspired Ugly Lovely collection.
A narrative of claws, animal horns, feathers, shredded snake skin, fossilized beetles, dried butterflies, bird skulls, etc, gave me the impression that if I wore one of her ingenious creations, I could morph into this intelligent bird.
I obsess about how fine a line I can do; ultimately, I love seeing all the little black lines that I’ve painted come together to create an image.’ Despite the striking maturity of her work, Susan has been working in ceramic art for less than a decade.